# Create your own font the hard way!

Posted on Mi 16 Oktober 2013 in Learning

Last major update on 23.10.2013

### Preface

As promised previously in my last article, I will guide you through the creation process of a rudimentary font. I will use the glyphs of my font to draw captchas and incorportate the implementation in my brand new captcha plugin for wordpress. There are already quite a few captcha plugins out there, some of them are better than mine (RECAPTCHAfor instance translates books and thus solves two problems at the same time), others are worse, because the math equations can simply be parsed (As far as I can judge without inspecting the code further).

In this article however, I will center the focus entirely on the font and abstract from it's future usage in the captcha.

### Technical background of fonts

A logical start of font creation is to answer the question what type of font we are going to create. But lets first introduce some concepts that are of importance when it comes to font design.

In short: A font is a collection of glyphs. Each glyph has a shape and there are various ways of describing that shape. You can imagine a glyph as a instanteation of a character. Whereas a character is a conecpt a glyph is a reification of that concept. When we speak of glyphs, we are interested in the form, design and view of the character, not the character itself as a carrier of information. Now in our latin font, there is a one-to-one mapping of glyphs to characters. But in some other languages there might be different glyphs for a character depending on the adjacent characters (For instance in arabic some characters have four or more different glyphs).

Now lets answer the question which font format we are going to choose. Essentially, there are three different font types, each of them with different advantages and drawbacks. They are:

• #### Bitmap fonts

Fonts in this format are described in a array of pixels (a bitmap). You can imagine the array as a two-dimensional coordinate system and when rasterizing the font you just copy that array in the coordinate system of the output canvas. The glyph information is rather unflexible, because there is not an easy and intuitive way to resize the single glyphs and therefore there are usually different bitmaps for the different sizes and stlyes of penmanships such as cursive, bold or normal.

• #### Outline fonts

This format takes a different approach. Here we won't store the actual coordinates of glyphs. Instead we store the information of how to draw the glyphs as a mathematical function with different paramters which control the shape (cursive, bold, normal) and size (12px, 36px, npx) and other aspects of the appearance of each glyph. An outline is a set of contours or paths, and the paths consist of Bézier splines and simple lines. The splines are normally quadratic or cubic bezier curves. Therefore the glyphs are only rastered when the application already determined all the parameters. Outline fonts are very dynamic and powerful, but require a lot more of processing power compared to bitmap fonts. Postscript and truetype fonts are examples of this format.

• #### Stroke fonts

Are stroked fonts, where each stem of the glyph is represented by one line down the center of the stem, and the line is later drawn with a certain widt. I am not particularly interested in stroke fonts, but in the case you are, just read it up in the interwebs.

I will develop a outline font, but compared to TrueType/OpenType/PostScript fonts, it will be in a very basic format and not even include the full alphabet (Just around 10-15 characters). Furthermore I will use quadratic and cubic Bézier splines. The glyphs will be of very very easy shape (Each glyph will essentially be only a path), but for some characters I will add some additional parameters to illustrate the entire possibilities. The final plugin written in PHP will be able to save the captchas to png and bbm files, both of them are bitmap formats.
It'd be certainly possible to directly use vector graphic techniques (Such as scalable vector graphics) and let the plugin just generate them. As a layman, I think this would be considerably faster and a better solution, since I can use the high level language SVG and the rasterization process will happen on the client-side and not on the server as in my intentional approach.

### Why is this faster?

Because the most time consuming process is the rasterization of the specific Bézier splines and simple lines that define the single glyphs of the font. SVG files just describe the shape of these characters, but the final drawing process to the monitor happens in the browser of the client.
But on the other side, I guess that .svg captchas are more easily deciphered (OCR in short), because the cracker does not have to remove noise and guess the bitmap structure which comprises the actual letters (Please leave a comment if you think differently).
That being said, I will still use the latter way (Plotting my captcha directly and producing bitmap pictures like PNG's) in the full conscience that it might be the worse solution (Heck, writing captcha software in 2013 is certainily a bad idea). But all this is legitmated with the fruitful learning process that accompanies the coding process.

Now in the case you shrug your shoulders when I mention Bézier curves, consider reading my previous blog article that also includes a bunch of links to very nice resources. Be aware that quite a bit of math hides behind Bézier splines and that I won't use heavily optimized algorithms for plotting the splines, simply out of the reason that I don't have the mathematical/algorithmic knowledge and skill to do so.

If I got you hooked and you also want to create your own fonts and you want to really use them everywhere and save them in a offical format such as PostScript, SVG or TrueType/OpenType, consider the application FontForge [Link goes here], that helps you quite a lot and bewares you of the quirky low level plotting algorithms. For my font, I just use FontForge and Inkscape to get a look and feel experience of how my glyphs sould look like, since it's kinda hard to think entirely in points and control points of Bézier splines without actually drawing them ;)

### Approach

Because I needed some kind of sketch board to develop and design my glyphs, I looked for a vector graphics application. Inkscape really fit perfectly and it generates easy parsable .svg files. Then I created a little script that was capable of exporting the Bézier points and line points of the .svg files generated by Inkscape. That wasn't too hard, since .svg is a W3C standard and the element is perfectly described here.

The export script I made looks like this (Please consider that only closed paths and cubic/quadratic and lines are properly parsed! If this is not enough for your pupose, the script is easy extendable tough):

```# Parse inkscap svg files and tries to obtain all bezier curves points and lines.
# Assumes that only one glyph is drawn and extracts ALL bezier points
# in the main  (called 'layer1' in inkscape). Only heterogenous bezier
# paths and straight lines are parsed correctly.
# Author: Nikolai Tschacher
# Date: 14.10.2013
# Site: incolumitas.com

import sys
try:
from lxml import etree
except ImportError:
sys.stderr.write('Ohh boy, it seems that you didn\'t install lxml. Try "pip install lxml"\n')
sys.exit(0)

class InvalidGlyphShape(Exception):
'''
This Exception is raised when the parser discovers a  element
'''

# lxml is awesome
def parse_glyph(fname):
for event, element in etree.iterparse(fname, tag='{*}g'): # "{*}" includes the whole xml namespace
if element.get('id') == 'layer1': # Inkscape packs all the shapes in a  container and calls it "layer1" by default
for path in element.iter(tag='{*}path'): # Find ALL(!) path elements
yield path.get('d')

def parse_path(fname):
# What format do we need? List of sequence of tuples
# like [[(43,233), (4434, 222), (87, 387)], [(63,23), (44, 12), (87, 337)], ...]
# each of them constituting points of a cubic Bézier spline.
# ... Analogeous for the other shapes...
for d in parse_glyph(fname):
lines = []
c_splines = []
q_splines = []
data = d.split(' ')

if data[-1] != 'z':
raise InvalidGlyphShape('Path is not a closed shape')

# If a moveto is followed by multiple pairs of coordinates,
# the subsequent pairs are treated as implicit lineto commands.
cmd = data.pop(0)
if cmd not in ('M', 'm'):
raise InvalidGlyphShape('No move command Mm')
else: # Check for implicit lineto cmd.
if (not is_cmd(data[0]) and not is_cmd(data[1])):
lines.extend([c for c in chunks(sublist(data[0:]), 2)]) # Lil hack here :)

# Magic parsing begins. Very basic parser.
for i, e in enumerate(data):
if e in 'Cc':
data.pop(i)
c_splines.extend([c for c in chunks(sublist(data[i-1:]), 4)])
if e in 'Qq':
data.pop(i)
q_splines.extend([c for c in chunks(sublist(data[i-1:]), 3)])
if e in 'Ll':
data.pop(i)
lines.extend([c for c in chunks(sublist(data[i-1:]), 2)])
if e in 'Zz' and i == len(data)-1: # closepath (close the current shape by drawing a line to the last moveto)
# With "closepath", the end of the final segment of the subpath is "joined"
# with the start of the initial segment of the subpath.
lines.append([data[i-1], data[0]])

cleaned = clean(cubic_bezier=c_splines,
simple_lines=lines)

yield cleaned

# clean the data. For some reason my algorithm yields single points. Just
# remove them and the data is solid.
def clean(**args):
keys = sorted(args.keys())
for kw in keys:
args[kw] = [e for e in args[kw] if len(e) > 1]

# Make integer coordinates ready to be rasterized.
for kw in keys:
args[kw] = [[tuple([int(float(i)) for i in p.split(',')]) for p in geo_el] for geo_el in args[kw]]

return args

# print the glyph data.
def pretty_print(args):
keys = sorted(args.keys())
print('----------------------- Next  data -------------------------')

for kw in keys:
print('\n***********\nPoint data for %s' % kw)
print(args[kw])

# Returns a sublist up to the next cmd.
def sublist(l):
for i, e in enumerate(l):
if e in 'CcQqLlZz': # SVG path commands
return l[0:i]

# Check if element is a command within d attribute in  element.
def is_cmd(e):
if e in 'CcQqLlZzMm':
return True
else:
return False

# Make chunks
def chunks(l, n):
for i in range(0, len(l), n-1):
yield l[i:i + n]

if __name__ == '__main__':
try:
open(sys.argv[1], 'r') # raises an exception if file can't be located
for i in parse_path(sys.argv[1]):
pretty_print(i)
except FileNotFoundError as e:
print('[-] No such file, sir')
except IndexError:
print('[-] Usage: %s SvgFile' % sys.argv[0])
```

Now the font design can finally begin! I searched for inspiration at googlefonts and tried to redraw the glyphs freehand. This is of course really unprofessional, because if you actually want to implement a real font, you're better off using FontForge, a nice open source program that incorporates many tools that help you create a sophisticated font. I won't get down that path, instead I just implemented some cool glyphs according to my taste and after a short design period, I imported them with the script listed above into my python font module that was already equipped with the plotting algorithms I discussed in the previous article. In the aforementioned module, I am also going to store the glyph data (Implemented as a list of points).

Here are some screenshots that you guys can get a impression how my workflow was.

First I roughly outline the shape of the glyph and it looks like this:

[

Then after some reshaping:

[

And finally after I exported it and redrawn it using my own module: [

And to end this post, I will present you my final alphabet all drawn on a tkinter canvas with my own plotting algorithms. There are also variants where the alphabet is skewed and a shear operations ar applied. Here are the screenshots:

[

All the glyphs drawn in a scatter. They are imported from the Inkscape .svg files and plotted using the algorithms developed in the last blot post.

And after applying some linear transformations:

[

In this picture all glyphs moved using shear operations

[ Skew linear transformation.

My glyphs are far from beautiful or even consistent, but this isn't really a drawback either, since I will use them for my captcha plugin (Whose implementation in PHP will be presented in the next blog post). But the clear advantage is obviously that all my glyphs (although they don't really look so) consist of simple lines and Bézier splines, which means that we can express them as a mathematical function and therefor apply a wide range of transformations on them without any loss of information! After blurring the glyphs to our liking, we can finally export it as a raster grafics format (such as png) and they eventually become immutable. Maybe I will add in the PHP imlementation a way to fill the glyphs with color in order to obliterate pattern recognition methods.
As mentioned before, If you are interested in professional font/glyph design, visit fontforge.org and read the great resources over there.

And that's the end! Stay tuned for the final article of my series, that will talk about the captcha plugin!